Novosibirsk State Pedagogical University Bulletin, 2018, vol. 8, no. 1, pp. 124–137
© Loginova M. V., 2018
UDC: 
001.8:111.1:7.01

Methodological concern of ontological approach towards philosophy of art

Loginova M. V. 1 (Saransk, Russian Federation)
1 National Research Mordovia State University
Full text (Open Access) — Downloaded 5026
Abstract: 

Introduction. The article deals with defining the concern of the ontological approach towards philosophy of art as a new branch whose genesis is linked to the way philosophy changed over the 20th century. The purpose of the article is to identify and characterize the ontological approach to philosophy of arts, and describe its methodological value for art.
Materials and Methods. The author applied the system-synergetic approach whose advantages consist in combining researches over information accumulated by art studies with analytics of modern art experiences featured in philosophy and aesthetics. The actual approach reexamines the artwork and perception theory from the perspective of phenomenal analysis of art work, subsequently drawing their new concepts.
Results. The main results of the research consist in emphasizing the following actual problems concerning the ontological approach towards philosophy of art: relation between classic and non-classic in philosophy and art, genesis of philosophy of art as a science, and ontological definition of the approach. The author found out that the modern philosophy of art is not only linked to non-classical aesthetics, but has its own particularities as well, which consist in ontological approach towards art as a form of human being. The author emphasized the concern of substrate analysis of art entity for philosophy of art within modern culture. According to ontological approach, the author explained the philosophy of art as a dialogue between a human and the world, through which a new attitude towards being, its expression and perception were revealed.
Conclusions. In conclusion, the author defines the concern of the ontological approach in philosophy of art, which integrates art material of “questioning” about reason for being and studies new forms of interaction of different forms of being (otherness) manifested in art. Analyzing the philosophy of arts as a field of human being, the author deduces that methodological concern of the ontological approach consists in identifying the interconnection between art and general philosophical context of the era.

Keywords: 

Non-classic aesthetics; Ontology; Ontological approach; Ontology of art; Modern art; Philosophy of art; Aesthetic; Art creation

79.123 Everyday Aesthetics | Beautician | Artification

https://www.scopus.com/record/display.uri?src=s&origin=cto&ctoId=CTODS_1...

Methodological concern of ontological approach towards philosophy of art

For citation:
Loginova M. V. Methodological concern of ontological approach towards philosophy of art. Novosibirsk State Pedagogical University Bulletin, 2018, vol. 8, no. 1, pp. 124–137. DOI: http://dx.doi.org/10.15293/2226-3365.1801.08
References: 
  1. Zhelezniak V. N., Stolbova N. A., Museev N. A. The ontology of the splendid: methodological aspect. Culture and Art, 2017, no. 3, pp. 31–40. (In Russian) DOI: https://doi.org/10.7256/2454-0625.2017.3.23146
  2. Dzikevich C. A.  The world aesthetical process today (20th International Congress of Aesthetics. Seoul, July 24-26, 2016). Moscow University Bulletin. Series 7. Philosophy, 2016, no. 6, pp. 114–123. (In Russian) URL: https://elibrary.ru/item.asp?id=28098868
  3. Zaks L. A. Esthesia: basics. Studia Culturae, 2014, no. 19, pp. 84–91. (In Russian) URL: https://elibrary.ru/item.asp?id=22952398
  4. Migunov A. S., Erohine S. V.  Two ways of the renewal of aesthetics. Moscow University Bulletin. Series 7. Philosophy, 2016, no. 5, pp. 87–107. (In Russian) URL: https://elibrary.ru/item.asp?id=28084221
  5. Radeev A. E. Debates on Aesthetic Attitude: History and Problem. Voprosy Filosofii, 2017, no. 5, pp. 35–44. (In Russian) URL:  https://elibrary.ru/item.asp?id=29229211
  6. Jacquette D. Art, Expression, Perception and Intentionality. Journal of Aesthetics and Phenomenology, 2014, vol. 1, issue 1, pp. 63–90. DOI: http://dx.doi.org/10.2752/20539339XX14005942183973
  7. Luks L. Art as the Silence of the World. An Attempt at a Phenomenological Interpretation. Journal of the British Society for Phenomenology, 2017, vol. 48, issue 4, pp. 275–286. DOI: https://doi.org/10.1080/00071773.2017.1362779
  8. Potgieter F. J. On thinking about the nexus between art and everyday aesthetics. Critical Arts, 2016, vol. 30, issue 5, pp. 655–671. DOI: https://doi.org/10.1080/02560046.2016.1262444
  9. Lipsky V. N. Aesthetics is not only the philosophy of art. Philosophical Sciences, 2006, no. 6, pp.  151–158. (In Russian) URL: https://elibrary.ru/item.asp?id=9244166
  10. Davydenko, M. V. Concepts of artistry in modern domestic philosophy of art and aesthetics. News of Altai State University, 2015, vol. 1, no. 3, pp. 111–115. (In Russian) URL: https://elibrary.ru/item.asp?id=23754713
  11. Dukhan I. N. Philosophy of classical art in the project culture of modernism. Voprosy Filosofii, 2009, no. 6, pp. 47–59. (In Russian) URL: https://elibrary.ru/item.asp?id=12448063
  12. Loginova M. V. The Genesis of expression in non-classical culture. Monograph. Saransk, 2010. 266 p (In Russian) URL: https://elibrary.ru/item.asp?id=20057141
  13. Hérubel J. P. V. M. Observations on revised art history dissertations published by university presses. Journal of Scholarly Publishing, 2016, vol. 47, issue 4, pp. 336–346. DOI: https://doi.org/10.3138/jsp.47.4.336
  14. Smirnov S. A. The foresight of the person. Experiments on non-classical philosophy. Monograph. Novosibirsk, Offset Publ., 2015, 660 p. (In Russian) URL: https://elibrary.ru/item.asp?id=24194753
  15. Kuznetsov V. Y. Overcoming metaphysics as a problem of modern philosophy. Voprosy Filosofii, 2012, no. 1, pp. 28–38. (In Russian) URL: https://elibrary.ru/item.asp?id=17357050  
  16. Lektorsky V. A., Arshinov V. I., Kuznetsov V. Y., Pruzhinin B. I. Postnonclassical science and sociocultural context. Herald of the Russian Academy of Sciences, 2016, vol. 86, no. 8, pp.  745–753. (In Russian) URL: https://elibrary.ru/item.asp?id=26502735
  17. Loginova M. V. Phenomenon of “non-classic” status of modern culture and art. Bulletin of Kazan State University of Culture and Arts, 2007, no. 1, pp. 54–61. (In Russian) URL: https://elibrary.ru/item.asp?id=13362736
  18. Loginova M. V. Methodological importance of non-classical aesthetics in humanitarian knowledge. Integration of Education, 2003, no. 1, pp. 123–127. (In Russian) URL: https://elibrary.ru/item.asp?id=18258946
  19. Inishev I. N. The range of the aesthetical: from discourse to texture. Philosophy Journal, 2014, no. 2, pp. 121–134. (In Russian) URL: https://elibrary.ru/item.asp?id=22838283
  20. Dukhan I. Controversies and Transfigurations: Views on Russian Twentieth-Century Arts and Architecture. Art in Translation, 2016, vol. 8, issue 2, pp. 129–136. DOI: https://doi.org/10.1080/17561310.2016.1216044
  21. Barker T. Experiments with time: the technical image in video art, new media and the digital humanities. Visual Communication, 2017, vol. 16, issue 4, pp. 375–394. DOI: https://doi.org/10.1177/1470357217702360
  22. Pickering A. New Ontologies. Logos, 2017, vol. 27, no. 3, pp. 153–172. (In Russian) URL: https://elibrary.ru/item.asp?id=29077886
  23. Zembylas M. The contribution of the ontological turn in education: Some methodological and political implications. Educational Philosophy and Theory, 2017, vol. 49, issue 14, pp. 1401–1414. DOI: https://doi.org/10.1080/00131857.2017.1309636
  24. Loginova M. V. Ontology of expressive forms in culture. Mordovia University Bulletin, 2014, no. 4, pp. 207–215. (In Russian) DOI: https://doi.org/10.15507/VMU.024.201403.207
  25. Rendl M. V.  Suprematist ontology and its philosophical aspects in the works of K. Malevich. Moscow University Bulletin. Series 7. Philosophy, 2015, no. 5, pp. 105–114. (In Russian) URL: https://elibrary.ru/item.asp?id=25580743
  26. Murchadha F. Ó. Speaking after the Phenomenon: the Promise of Things and the Future of Phenomenology. Journal of the British Society for Phenomenology, 2017, vol. 48, issue 2, pp. 99–115. DOI: https://doi.org/10.1080/00071773.2016.1272256
  27. Hainge G. Art Matters: Philosophy, Art History and Art’s Material Presence. Culture, Theory and Critique, 2016, vol. 57, issue 2, pp. 137–141. DOI: http://dx.doi.org/10.1080/14735784.2016.1161903
  28. Evnine S. J. Ready-Mades: Ontology and Aesthetics. British Journal of Aesthetics, 2013, vol. 53, no. 4, pp. 407–423.  DOI:  https://doi.org/10.1093/aesthj/ayt033
  29. Grierson E. Activating Aesthetics: Working with Heidegger and Bourdieu for engaged pedagogy. Educational Philosophy and Theory, 2015, vol. 47, no. 6, pp. 546–562. DOI: http://dx.doi.org/10.1080/00131857.2015.1026303
  30. Rutten K. Art, ethnography and practice-led research. Critical Arts, 2016, vol. 30, issue 3, pp. 295–306. DOI: http://dx.doi.org/10.1080/02560046.2016.1205317
  31. Orlov B. V. Methodological Paradigms and Syntagma of Modern Aesthetics: To Project of Dictionary of Philosophy of Artistry. Discourse-Pi, 2015, vol. 12, no. 3–4, pp. 32–41. (In Russian) URL: https://elibrary.ru/item.asp?id=25470098
Date of the publication 28.02.2018